Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
The world is a carnival of criminality, corruption, and psychosexual strangeness in the twisted pre-Code shockers of Tod Browning. Early Hollywood's edgiest auteur, Browning drew on his experiences as a circus performer to create subversive pulp entertainments set amid the world of traveling sideshows, which, with their air of the exotic and the disreputable, provided a pungent backdrop for his sordid tales of outcasts, cons, villains, and vagabonds. Bringing together two of his defining works (The Unknown and Freaks) and a long-unavailable rarity (The Mystic), this cabinet of pre-Code curiosities reveals a master of the morbid whose ability to unsettle is matched only by his daring compassion for society's most downtrodden.
Alec Guinness stars as G.K. Chestertons legendary detective Father Brown in this splendid comedy thriller directed by Robert Hamer (Kind Hearts and Coronets). When Father Brown hears that Flambeau (Peter Finch), an international art thief, is planning to steal a priceless cross once owned by Saint Augustine during its transportation to Rome, he is delighted at the opportunity to match wits with a criminal of such repute. However, Flabeau outwits Father Brown on their first encounter deep in the catacombs of Paris and vanishes with the relic. Now, the amateur sleuth must somehow lure the master criminal out of hiding, recover the cross and sace Flambeaus immortal soul into the bargain... Based on the first Father Brown story, The Blue Cross, and boasting a superb supporting cast including Joan Greenwood, Bernard Lee and Sidney James, Father Brown is a true British film classic
Romance at its most anti-romantic--that is the Billy Wilder stamp of genius, and this Best Picture Academy Award winner from 1960 is no exception. Set in a decidedly unsavoury world of corporate climbing and philandering, the great filmmaker's trenchant, witty satire-melodrama takes the office politics of a corporation and plays them out in the apartment of lonely clerk CC Baxter (Jack Lemmon). By lending out his digs to the higher-ups for nightly extramarital flings with their secretaries, Baxter has managed to ascend the business ladder faster than even he imagined. The story turns even uglier, though, when Baxter's crush on the building's melancholy elevator operator (Shirley MacLaine) runs up against her long-standing affair with the big boss (a superbly smarmy Fred MacMurray). The situation comes to a head when she tries to commit suicide in Baxter's apartment. Not the happiest or cleanest of scenarios, and one that earned the famously caustic and cynically humoured Wilder his share of outraged responses, but looking at it now, it is a funny, startlingly clear-eyed vision of urban emptiness and is unfailingly understanding of the crazy decisions our hearts sometimes make. Lemmon and MacLaine are ideally matched and while everyone cites Wilder's Some Like It Hot closing line "Nobody's perfect" as his best, MacLaine's no-nonsense final words--"Shut up and deal"--are every bit as memorable. Wilder won three Oscars for The Apartment, for Best Picture, Best Director and Best Screenplay (cowritten with long-time collaborator I A L Diamond). --Robert Abele
Joan Crawford delivers a critically acclaimed performance as Mildred Pierce a woman clawing her way to success to provide her daughter with everything she lacks. No sacrifice is too much - ending her middle class marriage climbing to the top of a male-dominated business world and marrying a man she doesn't love - but is murder a step too far? Based on a novel by James M. Cain (The Postman Always Rings Twice Double Indemnity) Mildred Pierce is a stylish film noir which rejuvenated screen icon Joan Crawford's career and earned her an Academy Award for Best Actress.
THIS GRITTY, SEXY, VIOLENT, PULSE-QUICKENING NEW ORIGINAL SERIESS FROM CINEMAX® is a crime drama set during the brutal Tong Wars of San Francisco's Chinatown in the latter part of the 19th century. Inspired by the writings of the late Bruce Lee, the story follows Ah Sahm (Andrew Koji), a martial arts prodigy who immigrates from China to San Francisco under mysterious circumstance and becomes a hatchet man for one of Chinatown's most powerful organised crime families.
As accomplished as it is superfluous, Willard is a stylish horror film with plenty of style but precious little horror. Genre buffs will appreciate it as a visually superior sequel/remake of its popular 1971 predecessor, giving Crispin Glover a title role perfectly suited to his uniquely odd persona, in the same league as Psycho's Norman Bates. This time, Willard's the psychotically lonely son of the original film's now-deceased protagonist: a milquetoast introvert who befriends an army of obedient rats--lethal allies when Willard's pushed to his emotional breaking point by his abusive boss (R. Lee Ermey). In keeping with his memorably macabre episodes of X-Files, writer-director Glen Morgan excels with dreary atmosphere and mischievously morbid humor (including an ill-fated cat named Scully), and Glover gives his best performance since River's Edge. But even the furry villain Ben--an oversized rat with attitude--is more funny than frightful. With some justification, Glover's fans will appreciate the open door to a sequel. --Jeff Shannon
All 30 episodes of David Lynch's landmark murder mystery series. Twin Peaks (population 51,201), a sleepy everytown USA where everyone's lives intersect with everyone else's, lies just five miles from the Canadian border. The town wakes up one morning to find one of its brightest young inhabitants, beautiful Laura Palmer (Sheryl Lee) murdered and wrapped in plastic down by the river. Local Sheriff Harry S. Truman (Michael Ontkean) and tearful Deputy Andy (Harry Goaz) are out of their depth with such a murder case and an FBI agent is assigned to investigate. Youthful, charismatic and somewhat otherworldy in his approach to policing, Agent Dale Cooper (Kyle MacLachlan) arrives to try and solve the case. Cooper's appearance causes ripples in the community and in turn he discovers that Twin Peaks is a small town full of secrets.
Limited Edition of 3,000 copiesTyrone Power, cast against type  at his own insistence  gives the performance of his lifetime as handsome scumbag / carnival barker / con-man Stanton Carlisle. He seduces fellow sideshow performer Mademoiselle Zeena (Joan Blondell) to learn the secret of her once lucrative mind-reading act with her alcoholic husband (Ian Keith). Carlisle, a born mentalist , secures the secret method and sets off with his new carnie wife, Molly (Coleen Grey) to milk the bigtime as a spiritualist in Chicago. As Carlisle's success grows, it's only a matter of time before his greed  and twisted involvement with femme fatale psychoanalyst Lilith Ritter (Helen Walker)  bring Stanton's world crashing down around him.Extra's:World Blu Ray PremiereNew HD TransferAudio Commentary with genre historian Johnny Mains & film historian Michael Brooke28 Page BookletOriginal Mono AudioStill GalleryOriginal Theatrical TrailerOptional English SDH subtitles for the main featureArt CardsReproduction PosterMany more to be confirmed
THIS GRITTY, SEXY, VIOLENT, PULSE-QUICKENING NEW ORIGINAL SERIESS FROM CINEMAX® is a crime drama set during the brutal Tong Wars of San Francisco's Chinatown in the latter part of the 19th century. Inspired by the writings of the late Bruce Lee, the story follows Ah Sahm (Andrew Koji), a martial arts prodigy who immigrates from China to San Francisco under mysterious circumstance and becomes a hatchet man for one of Chinatown's most powerful organised crime families.
Gigolo con-man Latigo Smith needs to get something off his chest - the tattooed name of his most recent ex-fiance. But while he is waiting for the local doctor to sober up and perform the operatio Smith overhears that local mining baron Taylor Barton is looking to shut down his mining competition by hiring the notorious gunman Swifty Morgan. Seizing the opportunity for an easy con Smith passes off a reprobate cow-hand as the dreaded Swifty and pockets the cash. Bank roll in hand
Quirt Evens an all round bad guy is nursed back to health and sought after by Penelope Worth a quaker girl. He eventually finds himself having to choose from his world or the world from which Penelope lives by.
Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
An espionage thriller set in WWII-era Shanghai, in which a young woman gets swept up in a dangerous game of emotional intrigue with a powerful political figure.
From the producers of 'Robin Of Sherwood' and 'The Adventures Of Black Beauty' Richard O'Sullivan stars as the notorious highwayman in the complete second series of the 1978 London weekend television show. Episode titles: The Fox - Part One The Fox - Part Two Blood Money Deadlier Than the Male The Elixir of Life The Thief-Taker The Judge Sentence of Death - Part One Sentence of Death - Part Two The Godmother The Secret Folk The King's Shilling The Hanging.
Its true, Joan Jett became mega-famous from the number-one hit 'I Love Rock n Roll'; but that's only part of the story. That fame intensified with the music videos endless play on MTV, world tours and many hits to follow like I Hate Myself for Loving You; but that staple of popularity cant properly define a musician. Jett put her hard work in long before the fame, ripping it up onstage as the backbone of the hard-rock legends The Runaways, starting her record label out of the trunk of a car after being rejected by 23 labels, and influencing many musicians - both her cohort of punk rockers and generations of younger bands - with her no-nonsense style. Bad Reputation gives you a wild ride as Jett and her close friends tell you how it really was in the burgeoning 70s punk scene and the rocky road to rock stardom decades on. Their interviews are laced with amazing archival footage. The theme is clear: Even though people tried to define Jett, she never compromised. She will kick your ass, and you ll love her all the more for it.
The Follow-up to the 1986 Original. Bryan Brown and Brian Dennehy are back for an all-new action-thriller that continues the FX saga with stylish wit unrelenting suspense and amazing high-tech action. Five years after his first deadly adventure Rollie Tyler (Brown) has left the special effects business and now designs sophisticated electronic toys for a living. But when his girlfriend’s ex-husband (Tom Mason) a police detective persuades him to devise an illusion to capt
Alan Strang (Peter Firth) is a troubled teenager who suffers from an uncontrollable urge to blind horses. In court, facing prosecution for his actions, psychiatrist Dr Martin Dysart (Richard Burton) attempts to unravel the root causes of Alan's pathologic affliction. Adapted by Peter Shaffer from his own landmark, Tony-winning play, Equus is a gripping psychological thriller exploring how corrupted ideals can lead to grave consequences. Special Features: To Be Confirmed ***FIRST PRESSING ONLY*** Fully illustrated booklet with new essays
Turn the Key Softly is a 1953 British drama dealing with the first 24 hours of freedom for three women, of widely differing backgrounds, who are released on probation on the same morning.
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